Monday, October 27, 2008

THE NEW YEAR Live in San Francisco Sept. 25, 2008


The quick-&-dirty: The New Year’s new self-titled album is pretty fucking great. An indie supergroup consisting of former members of Bedhead, the Brothers Kadane and Indie stalwart Chris Brokaw (Thurston Moore’s New Wave Bandits, Lemonheads, Codeine etc.), The New Year make slowcore sound great even at half-speed. Playing live at Bottom of the Hill, they took it up a level from the many great songs in their repetoire past and present. Chinese Handcuffs, with its twin drum assault, was particularly great, as was Reconstruction. Actually the whole second half of the set slayed. Gasoline is a great old New Year song which they killed as they did on The Company I Can Get, which is catchy as hell with its chorus of “God knows I wouldn’t/I need all the company I can get/Even that redneck in the Red Corvette.” Whatever song they close with was completely over the top too. With any luck, The New Year will be around in indie and rock circles for a long, long time to come---and maybe they'll get the just desserts they deserve as well.

Gasoline

The pattern on this rug tells a story
It's gory chaos but ordered and hoary
And I hate it but strangely respect it like Gasoline

Now I'm lying in the fetal position
I know I never should have been a musician
When I knew my ears would lose their audition
Gasoline
I like the way you smell
Gasoline
I never knew I knew you so well

We always know just what to do
Until the future comes
Now look what we've been through

Only cowards seek refuge in a second language
I should have learned how to speak my native one
I was afraid I wouldn't know how to use my tongue
Gasoline
You're more than a finished product
Running down the aqueduct

What I should do and what I do are like brothers
They're driven by so much more than they're needed
That they're blinded they can't see they're both
driven by
Gasoline leaking through an empty tank
Gasoline
The future's never what I think

I thought we knew what we were doing
But we've considered the unthinkable

-Matt Kadane

http://www.thenewyear.net/

THE GOLDEN CALF by Prefab Sprout

Once upon a time I stalked the
Streets on raining evenings when the
Distant sea blended with the sky
Past Coliseums filled with brass
On pavements carved from toasted glass
I carried in my heart a word or two

Your dashing horseman all gone away
Left you the stable bill to pay
And now the golden calf has turned to clay
All my feelings dressed in gloves
Couldn't touch your windswept harbour love
White and open-necked you would still play

I'd resort to sleepwalking
To court the mood that fills the sails
With harvest nets and tides don't ever bring
But every night was Halloween, and every friend fell in-between
And how capricious nature ruled my mind

Your dashing horseman all gone away
Left you the stable bill to pay
And now the golden calf has turned to clay
All my feelings dressed in gloves
Couldn't touch your windswept harbour love
White and open-necked you would still play

Once upon a time I stalked the
Streets on raining evenings when the
Distant sea blended with the sky
My mouth was full of cigarettes
My hair is full of long-term bets
But you would always make me see the day

Your dashing horseman all gone away
Left you the stable bill to pay
And now the golden calf has turned to clay
All my feelings dressed in gloves
Couldn't touch your windswept harbour love
White and open-necked you would still play

I sound so different these days, I barely can believe I'm me
If I didn't know better, I would swear I was someone else
Lord I can't believe, I don't believe I'm me
But who on earth could I be?

Your dashing horseman all gone away
Left you the stable bill to pay
And now the golden calf has turned to clay
All my feelings dressed in gloves
Couldn't touch your windswept harbour love
White and open-necked you would still play, play, play

Your dashing horseman all gone away
Left you the stable bill to pay
And now the golden calf has turned to clay
All my feelings dressed in gloves
Couldn't touch your windswept...

- Prefab Sprout, From Langley Park to Memphis

Jesus & Mary Chain, Fillmore 10/28/07

You Trip Us Up
Jesus & Mary Chain, Fillmore 10/28/07

For those of us who came of age in the late 1980’s, Jesus & Mary Chain hold a very special place in our fair hearts. Psychocandy and Darklands,sister/brother albums awash in feedback and dark acoustic balladry, set the bar for a whole lot of the good alternative rock to come in the 1990’s heyday and certainly still have a keen influence on today’s indie rock landscape. For a little band based of two brothers, they make one hell of a holy racket.

Show opener Never Understood let us know we were in for something fairly special. San Francisco concertgoers are some of the least outwardly enthused though, I have to say from years of attending shows here and elsewhere. Some Candy Talking from Psychocandy was unbelievable. Head On from Automatic, made even more famous by The Pixies on Trompe Le Monde was pretty damn sweet. Sort of a reminder to the fans, Hey, you know who the fuck we are, don’t ya?

Late in the set, the band was joined by Yolanda, introduced by singer of few extra words Jim Reid (who drinks an awful lot of water onstage), who shook her hair, hips and tambourine beautifully to Just Like Honey. Then she killed it on the classic alternative duet from 1ate 90’s gem Sometimes Always. I gave you all I had/I gave you good and bad/I gave but you just threw it back. Sublime. You Trip Me Up, another classic single from Psychocandy, came through near-perfectly as well. Jim and William Reed, awash in blue light and smoke, seemed to be tapping the otherwordly, and the young dudes on bass and drums held it all down in a big, righteous way.

The show rounded out nicely with a three-song encore featuring a spot-on rendition of Darklands, Nine Million Rainy Days off same, and a late career song Reverence I didn’t know but jammed like hell in a Primal Scream/Stone Roses kinda way. Another three or four songs along that vein (and they’ve certainly got ‘em up their rock n’ roll sleeve) would’ve gone a long way towards satiating the old fans like myself, and justified the too-steep $40 ticket price.

Jesus & Mary Chain have still got it, even if they were just going through the motions for their big reunion paycheck. Given how great they were and still are comparative to so many other bands out there, can you blame them for wanting their just desserts of late-career props and pay?

Never Understand
Head On
Far Gone and Out
Catchfire
Sidewalking
Snakedriver
Dead End Kids (originally a Freeheat/Jim Reid song)
Happy When It Rains
Some Candy Talking
Between Planets
Blues From a Gun
Cracking Up